PeachTree Music Group

Monday, December 24, 2012

(Vida Nash) Record Hit Makers Management/HitMaker Promotions Marketing



RHM MANAGEMENT
Vida Nash
http://www.rhmmanagement.com
Vida Nash CEO RHM Management
RHM MANAGEMENT
The Boss Vida Nash
The FAM from Left Ryan-Richard-Vida Nash

Ebony Baskin
Ebony Baskin Praise 102.7
https://itunes.apple.com/us/album/he-chose-me-single/id573917499
Ebony Baskin performing on The Dorinda Clark Cole show on TCT Network. 
                            https://itunes.apple.com/us/album/he-chose-me-single/id573917499
Ebony Baskin did her thing on The Dorinda Clark Cole!With Manager Vida Nash
                              https://itunes.apple.com/us/album/he-chose-me-single/id573917499
Ebony sitting with the beautiful Dorinda Clark Cole singing her hit singles Try Him and He Chose Me. Priceless! Check her on the Dorinda Clark Cole on TCT. 
https://itunes.apple.com/us/album/he-chose-me-single/id573917499
Ebony sitting with the beautiful Dorinda Clark Cole.
                              https://itunes.apple.com/us/album/he-chose-me-single/id573917499

Ebony Baskin and Kiki Sheard on The Rejoice Show on The Word Network! Priceless check them out next Friday December 28th.
https://itunes.apple.com/us/album/he-chose-me-single/id573917499

BEAUTIFUL EBONY BASKIN
EBONY BASKIN
Ebony Baskin
                                 https://itunes.apple.com/us/album/he-chose-me-single/id573917499



Song title: He Chose Me

Artist: Ebony Baskin 
Written by: Ebony Baskin 
Producer: Jeremy "Backpack" Miller 
Co Producer's: Antonio "TopcaT" Randolph and Devin Johnson 
Record Hit Makers Management/HitMaker Promotions Marketing (Vida Nash)
Vocal arrangement and coach 


Backpack and Antonio TopcaT shows courtesy of PeachTree Music Group | Backpack Inc.



Jeremy "Backpack" Miller "What's in that bag boy"?

For any inquiries that derived from Antonio TopcaT or from any/all social media please contact: Business Affairs -  businessaffairs@ebaexecutives.com - 678-449-7661

                                      https://itunes.apple.com/us/album/he-chose-me-single/id573917499
Jeremy "Backpack" Miller

Jeremy "Backpack" Miller
Antonio TopcaT Randolph


Antonio TopcaT Randolph



Devin Johnson 

Devin Johnson 




Manger Vida Nash "Hit Makers" | "Kyle K2 Stewart"

"Kyle K2 Stewart"

"Kyle K2 Stewart" | Vida Nash

"Kyle K2 Stewart"






Kyle Stewart II a/k/a K2 --RIP bra--. 

My experience with working with K2 was really remarkable. A very talented young man. Working with him and experiencing his awesome vocal arrangements and skill set with his loving sister Ebony Baskin. It has been a honor to work with the K2. 
K2 known as the super producer, singer, songwriter, arranger and father. My heart and prayers goes out to his family, friends and extended family/manager Vida Nash, @Ebony Baskin who loved him so so much.
Vocal Arrangements: Kyle Stewart II a/k/a K2. My brother K2 helped us all put this together. https://soundcloud.com/nathanbufford/he-chose-me




                                                                               



Friday, October 12, 2012

The Top 5 Mistakes Indie Music Artists Make


I wrote this awhile ago but I will republish it to help some new Indie artists out or some old indie artists that don’t pay attention.
This is a difficult list to put together because indie music artists make so many mistakes. I hope this short list helps some unknown indie artist avoid these mistakes in their quest to make it. The top five mistakes indie music artists make are.
1.Waiting for a Record Label to discover you- Not gonna happen most labels do not even have A&R departments anymore. The days of A&Rs going out and listening to live shows and actually listening to demo’s are long gone.
2.Not Performing Live – Live shows are the best way to make new fans and to move merchandise and actually make some money selling your music. If you think you are going to sell your music online think again. You should take every opportunity to perform live. And never ever pay a promoter to open for a Major artist. And never pay a promoter to perform at any showcase, these showcase’s are scams to make the promoters money.  This is a way promoters make money and it does nothing for the indie artist because the fans came to see the Major artist not you.
3.Not Hiring a Manager- Not hiring a manager is a big mistake by indie artists. There is just too much to do to jump start a music career, a artist cannot do it all. A manager can take the load off your back and let a artist concentrate on their music. A good manager will work for free until you make some good money then they will get compensated.
4.Not making a Name for yourself in your Hometown – Labels and distributors will investigate a indie artists hometown to see if they have a local fan base. Indie artists that are mentioned by there hometown DJs and promoters will get a labels attention. You cannot conquer the nation if you cannot even conquer your hometown. If you are not a big deal in your home town then you are not working hard enough. Labels want artists to promo themselves these days and once a artist gets a huge buzz then the label will find them.
5.Networking Too Much – It might seem like the right thing to do, but it is a big mistake most indie artists make. If you are always available for anyone and everyone who wants to collaborate with you, then the general public will view you as nothing special. You must be hard to get a hold of. You must create a I am already a star persona. You do not want to have 3 other unknown artists on your songs with you. You do not want to collab with everybody. You want to collaborate with those artists that are at a higher level then you. You do not want to rub elbows with your fans.
Written by DJ Fade







Feed Your Brain Magazine - Paranormal Research, Astronomy, UFOs, Magick, The Occult, The Illuminati, Templars, Lunar Gardening, Astrology - Edited by CHRIS EVERARD

Feed Your Brain Magazine - Paranormal Research, Astronomy, UFOs, Magick, The Occult, The Illuminati, Templars, Lunar Gardening, Astrology - Edited by CHRIS EVERARD TopcaT@PeachTreeMusicGroup.com

Wednesday, October 10, 2012

TX-1 (TechnXlogy 1)




Technology One is a place for the Creative fusion of High Technological Professionals in Science, programming, 3D Graphics with real world attributes, Physicists, Media specialist and Engineers to bounce ideas, work problems and optimize time, space and bandwidth from the market place to the far reaches of space. "Revolutionizing our lives in how the world engages all the key technology elements that make up information and Ideas".  Emerging technologies and their impact for innovators, advances and innovation in various fields of new technology.


























Saturday, July 28, 2012

History of Atlanta Ga


History of Atlanta
Prior to the arrival of European settlers in north Georgia, Creek and Cherokee Indians inhabited the area. Standing Peachtree, a Creek village located where Peachtree Creek flows into the Chattahoochee River, was the closest Indian settlement to what is now Atlanta. As part of the systematic removal of Native Americans from northern Georgia from 1802 to 1825, the Creek ceded the area in 1821, and white settlers arrived the following year.

Marietta Street, 1864
In 1836, the Georgia General Assembly voted to build the Western and Atlantic Railroad in order to provide a link between the port of Savannah and the Midwest. The initial route was to run southward from Chattanooga to a terminus east of the Chattahoochee River, which would then be linked Savannah. After engineers surveyed various possible locations for the terminus, the "zero milepost" was driven into the ground in what is now Five Points. A year later, the area around the milepost had developed into a settlement, first known as “Terminus,” and later as “Thrasherville” after a local merchant who built homes and a general store in the area. By 1842, the town had six buildings and 30 residents, and was renamed "Marthasville" to honor the Governor’s daughter. J. Edgar Thomson, Chief Engineer of the Georgia Railroad, suggested the town be renamed "Atlantica-Pacifica,” which was shortened to "Atlanta." The residents approved, and the town was incorporated as Atlanta on December 29, 1847.

By 1860, Atlanta’s population had grown to 9,554. During the Civil War, the nexus of multiple railroads in Atlanta made the city a hub for the distribution of military supplies. In 1864, following the capture of Chattanooga, the Union Army moved southward and began its invasion of north Georgia. The region surrounding Atlanta was the location of several major army battles, culminating with the Battle of Atlanta and a four-month-long siege of the city by the Union Army under the command of General William Tecumseh Sherman. On September 1, 1864, Confederate General John Bell Hood made the decision to retreat from Atlanta, ordering all public buildings and possible assets to the Union Army destroyed. On the next day, Mayor James Calhoun surrendered Atlanta to the Union Army, and on September 7, General Sherman ordered the city’s civilian population to evacuate. On November 11, 1864, in preparation of the Union Army’s march to Savannah, Sherman ordered Atlanta to burned to the ground, sparing only the city’s churches and hospitals.




Battle of Atlanta during US Civil War, 1864
After the Civil War ended in 1865, Atlanta was gradually rebuilt. Due to the city’s superior rail transportation network, the state capital was moved to Atlanta from Milledgeville in 1868. In the 1880 Census, Atlanta surpassed Savannah as Georgia’s largest city. Beginning in the 1880s, Henry W. Grady, the editor of the ‘‘Atlanta Constitution’’ newspaper, promoted Atlanta to potential investors as a city of the "New South" that would be based upon a modern economy and less reliant on agriculture. By 1885, the founding of the Georgia School of Technology (now Georgia Tech) and the city’s black colleges had established the city as a center for higher education. In 1895, Atlanta hosted the Cotton States and International Exposition, which attracted nearly 800,000 attendees and successfully promoted the New South’s development to the world.
During the first decades of the twentieth century, Atlanta experienced a period of unprecedented growth. In three decades’ time, Atlanta’s population tripled as the city limits expanded to include nearby streetcar suburbs; the city’s skyline emerged with the construction of the Equitable, Flatiron, Empire, and Candler buildings; and Sweet Auburn emerged as a center of black commerce. However, the period was also marked by strife and tragedy. Increased racial tensions led to the Atlanta Race Riot of 1906, which left at least 27 people dead and over 70 injured. In 1915, Leo Frank, a Jewish-American factory superintendent, was hanged by a lynch mob, drawing attention to antisemitism in the United States. On May 21, 1917, the Great Atlanta Fire destroyed 1,938 buildings in what is now the Old Fourth Ward, resulting in one fatality and the displacement of 10,000 people.


In 1907, Peachtree Street, the main street of Atlanta, was busy with streetcars and automobiles.


On December 15, 1939, Atlanta hosted the film premiere of Gone with the Wind, the epic film based on the best-selling novel by Atlanta’s Margaret Mitchell. The film's legendary producer, David O. Selznick, as well as the film's stars Clark Gable, Vivien Leigh, and Olivia de Havilland attended the gala event at Loew's Grand Theatre, but Oscar winner Hattie McDaniel, an African American, was barred from the event due to the color of her skin.
Atlanta played a vital role in the Allied effort during World War II due the city’s war-related manufacturing companies, railroad network, and military bases, leading to rapid growth in the city's population and economy. In the 1950s, the city’s newly constructed freeway system allowed middle class Atlantans the ability to relocate to the suburbs. As a result, the city began to make up an ever smaller proportion of the metropolitan area’s population, eventually decreasing from 31% in 1960 to 9% in 2000.
During the 1960s, Atlanta was a major organizing center of the Civil Rights Movement, with Dr. Martin Luther King, Jr., Ralph David Abernathy, and students from Atlanta’s historically black colleges and universities playing major roles in the movement’s leadership. While minimal compared to other cities, Atlanta was not completely free of racial strife. In 1961, the city attempted to thwart blockbusting by erecting road barriers in Cascade Heights, countering the efforts of civic and business leaders to foster Atlanta as the "city too busy to hate." Desegregation of the public sphere came in stages, with public transportation desegregated by 1959, the restaurant at Rich's department store by 1961, movie theaters by 1963, and public schools by 1973.


The diving event at the 1996 Summer Games, with Atlanta’s Olympic logo in the background

By 1970, African Americans were a majority of the city’s population and exercised new-found political influence by electing Atlanta’s first black mayor, Maynard Jackson, in 1973. Under Mayor Jackson’s tenure, Atlanta’s airport was modernized, solidifying the city’s role as a transportation center. The opening of the Georgia World Congress Center in 1976 heralded Atlanta’s rise as a convention city. Construction of the city’s subway system began in 1975, with rail service commencing in 1979. However, despite these improvements, Atlanta succumbed to the same decay afflicting major American cities during the era, and the city lost over 100,000 residents between 1970 and 1990, over 20% of its population.
In 1990, Atlanta was selected as the site for the 1996 Summer Olympic Games. Following the announcement, the city government undertook several major construction projects to improve Atlanta’s parks, sporting venues, and transportation infrastructure. While the games themselves were marred by numerous organizational inefficiencies, as well as the Centennial Olympic Park bombing, they were a watershed event in Atlanta’s history, initiating a fundamental transformation of the city in the decade that followed.
During the 2000s, Atlanta underwent a profound transformation demographically, physically, and culturally. Suburbanization, rising prices, a booming economy, and new migrants decreased the city’s black percentage from a high of 67% in 1990 to 54% in 2010. From 2000 to 2010, Atlanta gained 22,763 white residents, 5,142 Asian residents, and 3,095 Hispanic residents, while the city’s black population decreased by 31,678. Much of the city’s demographic change during the decade was driven by young, college-educated professionals: from 2000 to 2009, the three-mile radius surrounding Downtown Atlanta gained 9,722 residents aged 25 to 34 holding at least a four-year degree, an increase of 61%. Between the mid-1990s and 2010, stimulated by funding from the HOPE VI program, Atlanta demolished nearly all of its public housing, a total of 17,000 units and about 10% of all housing units in the city. In 2005, the $2.8 billion BeltLine project was adopted, with the stated goals of converting a disused 22-mile freight railroad loop that surrounds the central city into an art-filled multi-use trail and increasing the city’s park space by 40%. Lastly, Atlanta’s cultural offerings expanded during the 2000s: the High Museum of Art doubled in size; the Alliance Theatre won a Tony Award; and numerous art galleries were established on the once-industrial Westside.